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Soubin Shahir is very convincing and the duo leave the audience. Fahadh Faasil is expectedly brilliant, somewhat reminds me of his slimy cunning role in the brilliant Thondimuthalam Driksakshayum. Suffice it to say that the three actors excel in their roles. Fahadh Faasil is the apparent occupant of the bungalow who lets them in. They go on a weekend outing without their phones, and end up in the eerie bungalow when their car brakes down. Soubin Shahir is an author whose maiden thriller Irul is a bestseller. There are just three characters in this film, set in an eerie estate type bungalow in the middle of nowhere on a rainy night with no electricity. I cant bear to watch horror movies but believe me the scary quotient of this psychological suspense thriller is no less. Pity that non Bollywood Indian cinema does not get the same level of publicity. I look forward to Fahadh Faasil's films, he is indeed India's finest actor in recent years. Everything else sort of works here, and that's a shame! The writing (Sunil Yadav) needed to be better overall. Darshana handles the emoting part well, but her character too comes across as easily misguided (for a High Court lawyer i.e.). Darshana Rajendran, who plays Archana, is the film's trump card - she's puzzled just like the audiences, frantically searching for answers. One particular jumpscare was conceived well, but the rest were predictable.
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Where's the 'aha!' moment when you desperately need it? Plus, it doesn't look good on a thriller when the lead characters lack depth or when there are noticeable plotholes, even when the runtime is a crisp 90 minutes. The concoction, with its last-minute reveal, doesn't wow you. One's dark, brooding, and mysterious, and the other expository, wavering, and at times, darkly humorous. In fact, we can split the film into two: BEFORE and AFTER the body is found. This especially applies to the portions after the corpse is found in the basement. The characterization of Alex, played by Soubin Shahir, is also one of Irul's shortcomings. In Irul, he once again proves his mettle and towers over the script's mediocrity. We already know how good Fahadh is when he has to play unhinged, mysterious characters. But where it doesn't quite hit a home run is in its storytelling. Couple that with a cocktail of 3 terrific actors playing the leads and suave production design, Irul comes with the ingredients destined for success. The minimalist plot does hold a lot of promise, and how the screenplay unfolds initially is thrilling. It's just that kind of film - one that frequently keeps you on your toes but ultimately settles for something unsurprising. A second watch may not necessarily unearth more clues. Irul is a one-time watch, in terms of the entertainment value it offers and the suspense it builds.